It’s been a while since I wrote a review, but I figured I’d write one, both to stay in shape and because I’m trying to get better about reading more books and I want to make sure that I don’t neglect my writing too much as I do so.
I’m getting back into doing the occasional review; these will be rarer than they used to be, because I am no longer a featured reviewer on DriveThruRPG, but when I get around to getting a new game I will try to write a review of it.
Apocalyptia caught my eye as a free and open source tabletop game over at DriveThruRPG. Since it has a post-apocalyptic theme and I’ve been on a post-apocalyptic kick recently, I gave it a good look and it is fairly interesting, although it’s not necessarily a stand-out title.
Middle Earth: Shadow of Mordor is an action-adventure game set in Middle Earth, which is most famous from the Lord of the Rings trilogy and the Hobbit. As far as game inspirations go, it is most clearly inspired by Assassin’s Creed and the Batman: Arkham series of games, which it manages to blend together with a mix of the former’s intriguing stealth and the latter’s brawling fisticuffs, and add some of its own twists to the mix.
Sick is a novel by Tom Leveen. It first came to my attention with a reference from a professor of mine over at Arizona State University in his class on young adult literature. It’s set in a high school at the outbreak of a zombie epidemic, and it makes for a remarkably good read.
Continue reading “Thursday Review: Tom Leveen’s Sick”
Loadout is perhaps the most over-the-top puerile game I’ve ever played. And it’s amazing. It’s not necessarily great, but I truly enjoyed it from the very get-go, and its crude charm wins a lot of points when combined with a surprisingly good community and solid objective-based gameplay. Continue reading “Thursday Review: Loadout”
Digital Tools Box contains what would be two physical boxes. Each contains a lot of interesting content, though Alphaware is far more fleshed out and approaches the size and complexity of the 5th Edition core rulebook, while the Beginner Box is a quick start guide with an attached setting guide and novel excerpt. Continue reading “Thursday Review: Shadowrun Digital Tools Box”
I’m perhaps not the most impartial judge of Ghost Recon: Future Soldier. I’ve always enjoyed Ubisoft’s Tom Clancy games, but there’s always been something about each of them that just drives me up a wall. Fortunately, Future Soldier did its best to make me question my long standing love of Tom Clancy video games, and convinced me that sticking with the classics is really the way to go after all. Continue reading “Thursday Review: Ghost Recon: Future Soldier”
Metal Gear Rising: Revengeance is a far cry from most of the Metal Gear games that people know about. While it retains some of the over-the-top elements of Metal Gear, it is happy to add its own assortment of craziness and spectacle to the mix, leaving behind all but the vestiges of stealth. Continue reading “Thursday Review: Metal Gear Rising: Revengeance (PC!)”
Wreck Age is a respectable, though not necessarily innovative, Post-Cataclysm roleplaying and tactical tabletop game. While it has a decent level of quality, looks good, and has enough content to stand out, it suffers a little bit from not committing to one style or the other. Still, it’s well above average, and is in many ways a good example of what such a game should be.
Today I’ll be looking at two approaches to Lovecraftian gaming, the delightful “The Rapture Is Here And You Will Be Forcibly Removed From Your Home” (henceforth abbreviated to the frighteningly long “TRIHAYWBFRFYH” and also Eldritch, which is a “roguelike first-person platform exploration” game that essentially plays like a first-person Spelunky. Continue reading “Thursday Review(s): The Rapture Is Here And You Will Be Forcibly Removed From Your Home and Eldritch”