I’ve written on worldbuilding before, and I want to go over some very broad general ideas before I get back into it (which I’m hoping to do soon).
One thing that I want to talk about is how particularly to write for worldbuilding where you can have an effective roleplaying game based off of it. Many settings are really good at this, and some really aren’t, depending on how they’re implemented and written.
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Continue reading “Worldbuilding for Roleplaying: Hows and Whys”
Video games seem to often suffer from a lack of awareness of other fields; it’s not so much that video game designers and developers don’t know what they’re doing but rather that they seem to not communicate with other complementary fields. One of the things I’ve noticed as a game reviewer is that many games do not fully take advantage of known animation principles to provide a greater sense of immersion and activity to their environments. Continue reading “Game Design: Applying Animation Principles to Game Environments”
One of the important things to consider as a game designer is that players approaching your game will consider things in the game environment as being very real; sometimes holding incredible amounts of value. As a result, it is important to consider the bad economic decisions that players will make in order to prevent frustration and regrets, encouraging players to have a more positive experience with the game. Continue reading “Game Design: Play Economics”
Artificial Intelligence in games is usually a misnomer. Rarely is it possible to create artificial intelligence that is truly capable of responding correctly to a human player; some AI may be too “smart”, acting instantaneously and without any reason to complete whatever objectives it is given, but it’s also possible to create AI that are not challenging or lack an element of life. Finally, there are concerns with the development side of AI that need to be addressed. The four primary problems with AI are the computing load, task management, player interaction, and vivacity that all need to be addressed.
Continue reading “Game Design: Creating Immersive AI”
One of the greatest things that I hear people complaining about in games is the random element of them. And, truth be told, many games with random elements handle them wrong; the random number generator may be faulty or the randomness only serves to force repetition. However, randomness is also a great tool in a game designer’s toolkit; it turns a simple challenge of execution into a risk and reward analysis, and can add great amounts of depth and replayability to games.
Continue reading “Game Design: Working With Randomness, Balance, and Narrative”
One of the things that we’ve seen recently is a wave of games that I like to call “dumb fun”, games which cater to the lowest common denominator and sell widely, like Call of Duty and really just about anything EA makes, barring The Sims and its ilk. However, I think as game designers it’s important to consider that while simplified and streamlined explosion presentation devices are certainly a pathway to commercial success, it is possible to receive just as much enjoyment from a game that requires a little more thought. Continue reading “Game Design: Fun Complexity”
Let’s quick get this out there: I love both Oblivion and Skyrim, and I’ve spent about an equal amount of time in each (I won’t throw out a number, but let’s just say that I could’ve made a lot of money by being productive in that time). The Unofficial Elder Scrolls Pages has a more mechanical list of these things, which can be found here: Differences Between Morrowind, Oblivion, and Skyrim. Of course, I look at things from a slightly different perspective than just the mechanical, and look to see if any of the mechanical changes really had an impact on core play. Continue reading “Skyrim Versus Oblivion: A Game Design Perspective”